Recipes by image control
Black & white recipes
Monotone, Hard Monotone and Hi-Contrast B&W looks from the GR community - grainy street monochrome, deep high-contrast shadows, softer everyday B&W.
B&W recipes are the most portable on the site. With no color response to drift between sensors, the same tone curve reads the same on a GR III, IIIx or IV - even the bodies' slight warmth difference disappears in monotone.
Shooting the GR IV Monochrome? It's a B&W-only camera, so this page is effectively its recipe catalog - and the recipes confirmed for it have their own page, GR IV Monochrome recipes. The loading walkthrough maps each image control to the Monochrome's own presets, and since it has no white balance, you skip that line entirely.
New here? How to load a recipe on your camera
14 recipes · most saved first
Bennet's BW800
by Bennet
IAC Tri-X
by I Am a Camera
Reggie's Monotone Standard
by Reggie Ballesteros
Dante Sisofo Street B&W
by Dante Sisofo
Ninzaburo Monotone
by Ricoh (GR official)
Dramatic Monochrome
by Ritchie Roesch
Panchromatic 400 +Red
by Ritchie Roesch
Moody Monochrome
by Ritchie Roesch
KYO Night B&W
by Ricoh (GR official)
Pushed B&W
by Ritchie Roesch
Monochrome Film
by Ritchie Roesch
B&W Negative + Red Filter
by Ritchie Roesch
Black & White Negative
by Ritchie Roesch
B&W Film
by Ritchie Roesch
About Black & white
The four black and white modes
Every color GR has the same four. Monotone is the balanced, full-scale one and the base for most everyday street recipes. Soft Monotone is low contrast with the shadow detail kept, the classic base for a sepia look. Hard Monotone is punchy with deep blacks, the street default with grain at 2 or 3. Hi-Contrast B&W is the extreme: Ricoh compares it to ultra-high-sensitivity film or push processing, with blocked shadows, glowing highlights and a grainy feel built in.
All four drop the Saturation and Hue sliders and add three controls the color modes do not have: Toning, Filter Effect and Grain.
Filter Effect, Grain and Toning
Filter Effect is numbered Off and 1 to 4 on the camera. No Ricoh manual gives the numbers color names, and the decodes that circulate online disagree with each other, so the recipes here print the number the creator used and nothing more. Grain on the GR III generation is Off, Weak, Medium or Strong (the camera shows -, 1, 2, 3); the GR IV adds a size setting. Toning tints the print; its scale differs by mode and body, so follow the recipe's value as written.
White balance still matters on a color body shooting black and white, because it feeds the conversion before the tone curve. Creators use it as a fake color filter: a warm 10000K reference shifted toward magenta darkens a blue sky the way a red filter does on film, and a 2500K reference shifted toward blue does the opposite. Several recipes on this page run exactly that.
On the GR IV Monochrome
The Monochrome has no Filter Effect and no white balance, so neither trick above exists on it. Its physical red filter in the lens does the sky-darkening job instead, at a cost owners measure at roughly two stops. Its own modes (Standard, Solid, Soft, High Contrast, Grainy, HDR Tone) are not renamed copies of the four above; the walkthrough on each recipe page maps Monotone to Standard and Hard Monotone or Hi-Contrast B&W to High Contrast, and owners who A/B the High Contrast pairing find the two nearly indistinguishable. The Image Control guide has the full slider reference.
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