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Ricoh GR IVx recipes

Ricoh GR IVx recipes, ahead of the camera. The GR IVx is announced and not shipped: on August 26, 2026 Ricoh said it is developing a GR IVx with a newly developed 40mm-equivalent lens and the GR IV's 25.7MP APS-C sensor, planned for winter 2026 or later. No price, no ship date and no full spec yet. This page exists so that the recipes are ready the day it does.

Recipes transfer one to one within a generation: a GR III recipe is a GR IIIx recipe, a GR IV recipe is a GR IV HDF recipe, because the bodies share the sensor, the processing and the Image Control menu. Ricoh has not published the IVx's menu yet, but its announced sensor is the GR IV's to the decimal and the IVx is the IV generation's 40mm body, so this page lists every GR IV recipe as the IVx's starting shelf and will say so plainly if the shipped camera differs.

The order is built for 40mm. The portrait recipes and the street recipes lead, because a 40mm GR is the one that flatters a face at talking distance and isolates one person in a street, the two things GR IIIx owners have been doing since 2021; the rest follow by saves. Subscribe below and you will get one email when the IVx ships and one when the first IVx-specific recipes land.

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80 recipes · portrait and street first, then most saved

Negative FilmGR III · IIIx · IV
170

Reggie's Color Negative

by Reggie Ballesteros

Negative FilmGR III · IIIx · IV
53

Portra 160

by Chrizz Ocampo

Positive FilmGR III · IIIx · IV
29

Lux Pastel

by Robert Luxun

Negative FilmGR III · IIIx · IV
8

Pastel Film 400

by Luke Taylor

Positive FilmGR III · IIIx · IV
4

Vibrant Nostalgia

by Ritchie Roesch

Bleach BypassGR III · IIIx · IV
2

Ethereal Film 200

by Luke Taylor

Positive FilmGR III · IIIx · IV
1

Positive Emulsion

by Ritchie Roesch

Negative FilmGR III · IIIx · IV
0

Vintage Film

by Ritchie Roesch

Positive FilmGR III · IIIx · IV
0

Warm Negative

by Ritchie Roesch

RetroGR III · IIIx · IV
0

Vintage Print

by Ritchie Roesch

Negative FilmGR III · IIIx · IV
517

Bennet 800

by Bennet

MonotoneGR III · IIIx · IV
72

Bennet's BW800

by Bennet

MonotoneGR III · IIIx · IV
34

IAC Tri-X

by I Am a Camera

MonotoneGR III · IIIx · IV
17

Reggie's Monotone Standard

by Reggie Ballesteros

Positive FilmGR III · IIIx · IV
16

Kodak Chrome

by Ritchie Roesch

Positive FilmGR III · IIIx · IV
13

Classic Chrome... but Better

by Luke Taylor

Hi-Contrast B&WGR III · IIIx · IV · Mono
10

Dante Sisofo Street B&W

by Dante Sisofo

StandardGR III · IIIx · IV
8

KodaKolor

by Ritchie Roesch

Hi-Contrast B&WGR III · IIIx · IV
7

Dramatic Monochrome

by Ritchie Roesch

Hard MonotoneGR IV · Mono
5

Panchromatic 400 +Red

by Ritchie Roesch

MonotoneGR III · IIIx · IV · Mono
4

Moody Monochrome

by Ritchie Roesch

Negative FilmGR III · IIIx · IV
3

Analog Negative

by Luke Taylor

MonotoneGR III · IIIx · IV · Mono
3

KYO Night B&W

by Ricoh (GR official)

Hi-Contrast B&WGR IV · Mono
3

Pushed B&W

by Ritchie Roesch

MonotoneGR III · IIIx · IV
3

Monochrome Film

by Ritchie Roesch

Positive FilmGR III · IIIx · IV
2

Natural Analog

by Luke Taylor

Hi-Contrast B&WGR III · IIIx · IV · Mono
2

Black & White Negative

by Ritchie Roesch

RetroGR III · IIIx · IV
1

Retro Chrome (1600)

by Luke Taylor

Negative FilmGR III · IIIx · IV
1

Turquoise Film 200

by Luke Taylor

StandardGR III · IIIx · IV
1

Color Film

by Ritchie Roesch

Cross ProcessingGR III · IIIx · IV
1

Xpro Teal

by Ritchie Roesch

Positive FilmGR III · IIIx · IV
1

Natural Negative

by Ritchie Roesch

StandardGR III · IIIx · IV
1

Elite Chrome

by Ritchie Roesch

Bleach BypassGR III · IIIx · IV
1

Summer Bleach Film

by Luke Taylor

Negative FilmGR III · IIIx · IV
0

Classic Emulsion

by Ritchie Roesch

Hard MonotoneGR III · IIIx · IV
0

B&W Film

by Ritchie Roesch

Positive FilmGR III · IIIx · IV
123

Royal Supra

by Ritchie Roesch

Cinema (Yellow)GR IV
41

Lanzarote

by I Am a Camera

Positive FilmGR III · IIIx · IV
37

Candy Color 400

by Luke Taylor

Cinema (Green)GR IV
28

Istanbul

by Samuel Lintaro Hopf

Negative FilmGR III · IIIx · IV
22

Asakura Negative Film

by Ricoh (GR official)

RetroGR III · IIIx · IV
11

Indigo Film 800

by Luke Taylor

VividGR III · IIIx · IV
11

Grotto 200

by RicohCookBook

Positive FilmGR III · IIIx · IV
10

Americana Color

by Ritchie Roesch

Cinema (Green)GR IV
8

Barbican

by I Am a Camera

Positive FilmGR III · IIIx · IV
8

Cotton Color 400

by Luke Taylor

Negative FilmGR III · IIIx · IV
8

Pro Color

by Ritchie Roesch

MonotoneGR III · IIIx · IV · Mono
8

Ninzaburo Monotone

by Ricoh (GR official)

Negative FilmGR III · IIIx · IV
8

1986 Negative

by Ritchie Roesch

Negative FilmGR III · IIIx · IV
6

Nostalgic Negative Film

by Chrizz Ocampo

Cinema (Yellow)GR IV
5

Lomo Color

by Ritchie Roesch

Positive FilmGR III · IIIx · IV
5

Travelog

by Ritchie Roesch

Positive FilmGR III · IIIx · IV
4

Kodamax

by Ritchie Roesch

Positive FilmGR III · IIIx · IV
4

Shady Summer Film

by Luke Taylor

Negative FilmGR III · IIIx · IV
4

Kodak Print

by Ritchie Roesch

VividGR III · IIIx · IV
4

Kodak Slide

by Ritchie Roesch

Positive FilmGR III · IIIx · IV
4

Ritchie's Positive Film

by Ritchie Roesch

Cinema (Green)GR IV
3

Zurich

by Jill Corral

Positive FilmGR III · IIIx · IV
3

Analog Film

by Ritchie Roesch

Negative FilmGR III · IIIx · IV
3

EktaColor

by Ritchie Roesch

Negative FilmGR III · IIIx · IV
2

Negative Film Gold

by Luke Taylor

Hard MonotoneGR III · IIIx · IV
2

B&W Negative + Red Filter

by Ritchie Roesch

Negative FilmGR III · IIIx · IV
2

Analog Film 400

by Luke Taylor

Positive FilmGR III · IIIx · IV
2

Chrome Slide

by Ritchie Roesch

Cross ProcessingGR III · IIIx · IV
2

Summer Green

by Ritchie Roesch

Positive FilmGR III · IIIx · IV
2

Kodak Magenta Chrome

by Luke Taylor

Positive FilmGR III · IIIx · IV
2

EktaSlide

by Ritchie Roesch

Negative FilmGR III · IIIx · IV
1

Warm Spring Evening

by Luke Taylor

Cinema (Green)GR IV
1

Expired Negative

by Ritchie Roesch

Negative FilmGR III · IIIx · IV
1

Film Look

by Ritchie Roesch

RetroGR III · IIIx · IV
1

Aged Print

by Ritchie Roesch

Cross ProcessingGR III · IIIx · IV
1

Blueberry Film 400

by Luke Taylor

Bleach BypassGR III · IIIx · IV
0

Vintage Fade Film

by Luke Taylor

Positive FilmGR III · IIIx · IV
0

Vibrant Negative

by Ritchie Roesch

StandardGR III · IIIx · IV
0

Ferrania Solaris

by Ritchie Roesch

Positive FilmGR III · IIIx · IV
0

Vibrant Analog

by Ritchie Roesch

Bleach BypassGR III · IIIx · IV
0

Aged & Faded

by Ritchie Roesch

HDR ToneGR III · IIIx · IV
0

Ricoh HDR Film

by Luke Taylor

RetroGR III · IIIx · IV
0

Retro Print

by Ritchie Roesch

VividGR III · IIIx · IV
0

Vibrant Teal

by Ritchie Roesch

About the GR IVx

What Ricoh has announced, and nothing more

From the August 26, 2026 development announcement: a GR IVx with a newly developed GR lens at 26.1mm, about 40mm in 35mm-equivalent terms, f/2.8 to f/16, eight elements in six groups with three aspherical elements; a primary-color-filter CMOS sensor of about 23.3 by 15.5mm and about 25.74 megapixels, which is the GR IV's; five-axis sensor-shift shake reduction; a planned release of winter 2026 or later. Ricoh describes the 40mm angle of view as close to the effective field of human vision and says it creates new possibilities for snapshot photography.

The same release says production of the current GR IIIx, GR IIIx HDF and GR IIIx Urban Edition is expected to conclude with the products shipped in October 2026. So the IVx is the 40mm GR's successor, not a sibling. Price, battery, memory, the Image Control list, an HDF variant and accessory compatibility were not announced; this page says unknown where it does not know, and the which-GR guide and the GR III vs GR IIIx page cover the 28mm-or-40mm decision in the meantime.

Why every GR IV recipe is on this page

A recipe is a set of JPEG settings: an Image Control, its nine sliders, a white balance shift, grain. None of those know what the lens is. That is why the GR III and GR IIIx share one recipe shelf on this site and why the GR IV HDF loads every GR IV recipe. The IVx pairs the GR IV's sensor with a 40mm lens, the exact relationship the IIIx had to the III, so the working assumption is that every recipe on the GR IV recipes page dials into the IVx unchanged. What a 40mm lens does change is which recipes you reach for, which is why the portrait and street looks lead here.

If Ricoh ships the IVx with a different Image Control list, different defaults or a different rendering, this page will say so at the top and the affected recipes will get a note, the way the GR III to GR IV drift is noted today (the IV renders a touch warmer and up to about a third of a stop brighter than the III at the same values). Until then, treat the shelf as the GR IV's, which it is.

Loading a recipe the day the camera arrives

Pick your camera as GR IV on any recipe page and the walkthrough gives the GR IV generation's menu names, which is the best guide there is until the IVx manual exists. The save-a-recipe walkthrough covers the U1/U2/U3 dial and the User Mode Box; the GR IV setup guide covers snap focus and ISO Auto, and the snap distance is the one setting to rethink at 40mm: 2m frames a person at 40mm the way 1.5m does at 28mm.

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